Shape Sound Like Never Before

The CREATE Bundle bundles six sound design powerhouses into one indispensable package. Synthesize, cross-filter, transform, vocode, warp, morph, sustain, formant/pitch/frequency shift your audio, control pitch polyphonically, colorize your sounds, and add the lushest sounding smart reverb available today. Whether you are a sound designer, music producer, audio artist or film composer, the CREATE Bundle is for you!

Included:

• ADAPTIVERB: Harmonic Tracking Resynthesis Reverb
• MORPH 3 PRO: Real-Time Structural Audio Morphing & Stye Transfer
• WORMHOLE: Otherworldly Audio Multi-Effects Processor
• PITCHMAP: Control Pitch and Harmonics Polyphonically
• PITCHMAP::COLORS: Bring COLOR to Your Sound
• ORANGE VOCODER IV: Multi-Algorithm Vocoder

ADAPTIVERB

Harmonic Tracking Resynthesis Reverb

ADAPTIVERB is a revolutionary reflectionsless reverberation plugin. Unlike traditional acoustic room modeling using reflections, ADAPTIVERB focuses on creating depth, harmonic richness, and butter-smooth harmonic tails without obscuring the source or perceptually moving it back. Built using ray tracing reverberation, adaptive similarity filtering, and a revolutionary new AI technique similar to the technology that enables self-driving cars to avoid collisions, ADAPTIVERB can create lush spaces, smooth drones, and far-out textures while optionally filtering dissonance – so it never gets in the way of your sounds.

Reverb, Zynaptified

Wouldn’t it be cool to have a reverb that auto-magically adapts to your sound and blends with perfection? A reverb that doesn’t clutter up your mix, and doesn’t push your sounds into the background. A reverb designed to sound beautiful and lush, rather than just realistic. A reverb so organically smooth it’s as if your sounds had a longer sustain to begin with. A reverb that loves creating organic ambient sonic textures.

Say “hello” to ADAPTIVERB.

Features:

• Revolutionary new reverberation approach with unique sonic characteristics
• Bionic Sustain Resynthesis creates stunningly organic tails, eliminating noisy components from the input for clear, harmonic results free of graininess
• Harmonic Contour Filter (HCF) circuit for removing effect components not in tune with the input, a captured harmonic fingerprint, or a set of notes defined using an on-screen keyboard
• Filtering and pitch quantization based HCF Keyboard modes to conform the effect to a specific key
• HCF HOLD mode for creating cross-filtering effects
• Ray Tracing and Allpass based reverb engine
• Input FREEZE function for creating drones, pads or infinite reverb type sounds
• SIMPLIFY function that recreates the input’s harmonic content with a small amount of oscillators for additive synthesis type sounds — without the warbliness
• RICHNESS parameter for adding octave, fifth or unison interval harmonics into the reverb
• Pre-Processing section including harmonic synthesis based AIR
• More than 400 presets covering a broad range of effects, including bread-and-butter reverbs, “invisible” reverbs, instrument-/voice-colored reverbs, cross-filtering, adaptively filtered delays, and pads/drones that play without input signal
• MIDI control of all key parameters

Learn more about ADAPTIVERB.

MORPH 3 PRO

Real-Time Audio Morphing & Style Transfer

MORPH 3 is a real-time plug-in for audio morphing, the sonic equivalent of one object slowly changing its shape to become a different object – for example, one face becoming another.

Super-charged with a selection of up to 11 different morphing algorithms, a style transfer and file playback module, transient bypass options, a stunningly clean formant shifter as well as a lush reverb that seems to extend sounds much like some highly revered vintage hardware boxes, MORPH 3 opens up a whole new universe of sounds to explore.

Create seamless morphing transitions, new hybrid sounds that combine aspects of existing ones, physically impossible instruments, the furthest-out creature and robot voices, talkbox-esque effects and other outrageously unique new sounds. Whether you’re a sound designer for film or games looking for that signature sound, or a music producer or remix artist wanting to create new content from existing recordings…look no further, MORPH is for you!

Features

A massive upgrade to the classic MORPH 2, MORPH 3 and MORPH 3 PRO extend the classic’s sonic bandwidth even further, adding new algorithms, a patent-pending real-time style transfer module, file playback, transient bypass functionality, a redesigned and scalable UI, and much, much more.

Heard on blockbuster feature films and shows, AAA+ games and state of the art music productions, MORPH takes two input sounds and creates a new, hybrid sound that features characteristics of both, and that can smoothly transition from one to the other. Creature voices, alien hardware, futuristic ambiences, unique new instruments – you name it, MORPH has you covered.

What’s New in MORPH 3

• 4 New morphing algorithms: INTERWEAVE V3, IMPRINT SMOOTH, IMPRINT CRYSTAL, ENHARMONIC. The entire suite of V2 algorithms is included, too, of course, for a total of 9 algorithms.
• New MODELER module that provides particle/granular synthesis based style transfer functionality, as well as straight file playback.
• Improved FORMANT SHIFTER with +-24 semitones of range; the v2 formant shift algorithm can be activated for the v2 algorithms to get the exact same v2 sound, using a prefs setting.
• New TRANSIENT BYPASS module that can significantly improve the morphing results. The transients are taken at the A and B inputs to the morphing, and added back in, with their mix controlled by the morphing X/Y control. The transients can be boosted, and may also bypass the formant shifter for increased crispness.
• Optional internal double precision processing – internal processing can be switched to 64 bit for increased resolution.
• New soft-knee output limiter.
• Redesigned, scalable UI with interactive-signal-flow-diagram design, built using vector graphics for sharp visuals when zooming, with up to 200% UI scaling for 4k and larger displays.
• New Preset Manager application.
• Previous/Next Preset can now be controlled via MIDI for improved accessibility.

Additionally, MORPH 3 PRO adds:

• 2 additional algorithms, FUSION and SONANCE, for a total of 11 algorithms.
• A multi-zone mapping editor and additional analysis features for advanced control of the MODELER module.
• An additional DETAIL algorithm for the TRANSIENT BYPASS module.
• Lowcut/highcut filters for all mixer channels.

Learn more about MORPH 3 PRO.

WORMHOLE

Otherworldly Audio Effects

From beautifully shimmering detuned guitar widening and glassy ambient octave-shift tails, to surreal ambiences, starship drones, alien, monster, and robot voices — WORMHOLE is the new indispensable multi-effects powerhouse for sound designers, music producers and film composers alike. Combining ultra-clean pitch/frequency shifting, eccentric spectral warping, dual lush reverbs, and unique dry/wet morphing, WORMHOLE delivers sounds so unearthly you’ll swear they’re from a parallel universe.

Powerhouse

WORMHOLE consists of 5 highly synergistic processing modules: the spectral WARP, the pitch/frequency SHIFT, the dual random modulated hall REVERB, a nifty little DELAY, and the dry/wet morphing FX BLEND sections. In combination with a flexible signal path, this makes WORMHOLE an ultra-fast and easy-to-use, high-end multieffects processor, that covers the full range from the subtle to the (very) extreme. Whether you’re a sound designer, music producer or ambient artist, WORMHOLE is for you.

So What Is This For?

While WORMHOLE excels at making the usually time-consuming workflows of creating high-quality Sci-Fi sounds and creature voices fast, easy, fun and extremely hi-fi, it actually covers a very broad range of applications – including musical sweetening and ambient effects from the grungy to the shimmering and lush, bread-and-butter mixing effects like creating suboctaves, widening, chorusing, filtering, harmonic shaping and reverberation, and some seriously psychedelic electronica colors and mangling effects. Here are some of the things WORMHOLE is great at.

Key Features:

• High-quality multieffects processing ranging from the sublime to the extreme.
• WARP spectral inversion & warping module.
• SHIFT unique topology combined pitch-/frequency-shifting module with SMOOTH, TIGHT and two DETUNE modes.
• Dual lush randomized hall reverbs.
• Unique dry/wet morphing.
• Very wide +- 4 octaves pitch-shift and +-4000Hz frequency shift range, fully aliasing free, with 96dB/oct (!!) carrier and side-band attenuation.

Learn more about WORMHOLE.

PITCHMAP

Re-Write Mixed Music In Real-Time

PITCHMAP is the world’s first and only plug-in that allows processing the pitch of individual sounds within mixed signals in real-time. It lets you change the melodies and harmonies of any recording by simply playing your own on a MIDI keyboard or creating a pitch map using our stream-lined GUI, and optionally corrects any tuning issues at the same time. As if that weren’t enough, PITCHMAP provides functions to suppress individual sounds within a mix, and can apply advanced synthesizer-like sound transformations to your audio. In short, it is an inspiring musical instrument, a precision corrective tool and the only processor that literally lets you shape music with your hands.

PITCHMAP has so many uses we haven’t yet discovered all of them ourselves. Here’s a couple of the applications we’re aware of:

• Engineers can correct tuning inaccuracies in mixed recordings
• Composers can try different harmonies for their works in an immediate, hassle-free and inspiring manner
• Music producers that work with sampled material can now sculpt the music inside the samples as if they were clay in the hands of a potter
• DJs can adapt the key/scale of their songs to fit into a seamless set
• Sound designers get a bunch of unique new ways of creating the sounds that make the films and games of today so immersive
• Mash-Up artists and Re-Mixers now spend minutes instead of hours (or days) adapting the components they use to fit each other
• Rapid song/score prototyping using existing recordings that can be transformed to be something new on-the-fly
• Mix element suppression under MIDI control
• Creating unique synthesizer sounds based on a live input
• Create instant remixes and professional accompaniment tracks directly from your favorite songs or play list

Learn more about PITCHMAP.

PITCHMAP::COLORS

Bring COLOR to Your Sound

Conform audio to your song’s key/scale, colorize your basses and synths, and turn atonal elements into gloriously resonant harmonic textures with unprecedented ease, quality and fun. Designed in collaboration with music production prodigy Au5, PITCHMAP::COLORS fuses Zynaptiq’s popular pitch-mapping tech with additional transformation features and a user interface stream-lined for creative sound design and real-time performance. Bring COLOR to your sound now!

Colorize That Sound

Like its popular sibling PITCHMAP, PITCHMAP::COLORS conforms any audio to whatever tonality you want, quickly and easily. However, it does so with a distinctly electronic flavor, geared for sound design. Switch between the somewhat natural sounding SICK, the gloriously resonant INSANE, and the mesmerisingly electric WTF (Warp Those Frequencies) modes with a single click!

Map Those Pitches

PITCHMAP::COLORS works by separating the input audio into separate sounds based on their pitch, then shifting each up or down to fit a pitch grid individually. This grid is set up easily using the UI keyboard or a MIDI keyboard – just play the chords you want to shape the tonality of your audio. Turn major into minor, A minor 7 to F# Major, or wobble bass and noise into harmonic content…it’s like magic!

Tweak That Sound

PITCHMAP::COLORS goes way beyond just pitch-mapping your audio. On top of switching the pitch-mapping algorithm itself between three types of awesome, the plug-in also throws in scale shifting, advanced formant processing and transient bypass functionality, as well as high-pass and low-pass filters. Create unheard harmonic processing in seconds!

Scale Shift

The new SCALE SHIFT parameter makes it easier than ever to sweep through the pitch grid. Find the sweet spot within the scale, or automate SCALE SHIFT as new arrangement technique, with a single, MIDI-controllable parameter.

Formant Shift & Gamma

PITCHMAP::COLORS features a powerful formant shifter, for changing the perceived size of the sound and making large pitch shifts more natural(-ish) sounding. Its two octave range has you covered from huge demon voices to hyperactive chipmunks, and a 0.01 semitone resolution provides butter-smooth automations.

The formant shifter sports a unique function called FORMANT GAMMA, that exaggerates the formant peaks and troughs. The effect is really cool and hard to describe with words…think of it as a complex, self-modulating filter-oid that creates  far-out, organic sounding mutations that add movement and alien-ness to your mix.

Transient Bypass

The more extreme sound modes can smoothe out transients in a cool way, but sometimes, you may want that sound while retaining transient detail – enter PITCHMAP::COLOR’s super-easy to use and great sounding TRANSIENT BYPASS. Just dial in the amount of transients to take care of the pitch mapping and mix back in afterwards, and optionally boost them beyond their original level with just one control!

Learn more about PITCHMAP::COLORS.

ORANGE VOCODER IV

Combining the most comprehensive and best-sounding set of vocoding algorithms available today with laser-like pitch control effects, a powerful synthesizer, audio freezing, a super fun and efficient workflow, and tons more, ORANGE VOCODER IV is – quite simply – the ultimate vocoder plug-in.

When it comes to creating that new vocal sound, making far-out sound effects and organic* robot and creature voices, sculpting colourfully mutated music grooves, or whatever else you can dream up: this creative processing powerhouse is for you!

*:…or not-so-organic-at-all, of course

What’s New in Version IV

Version IV of ORANGE VOCODER is a massive upgrade from the classic, Prosoniq-branded Orange Vocoder.

What’s new? Pretty much everything, except of course for the bits you love. Here are some of the highlights:

• Greatly expanded vocoder section, featuring formant shifting, expansion, stereo operation…and a total of 24 unique vocoding algorithms based on techniques including analog modeling, speech modeling, independent component analysis, LPC filtering, wavelet transforms, and more.
• Completely rewritten, high-quality synthesizer section including Unison and Mono Legato operation, thru-zero linear FM, comprehensive modulation options, a preset generator, and more.
• New MIDI-controlled pitch quantizer module featuring 5 modes, including the brand-new zero-latency pitch enforcer, with grain morphing and optionally polyphonic operation.
• New, streamlined multi-view UI with a super-streamlined workflow, including module sub-presets and smart randomization.
• Supports AU, AAX Native, VST 2.4 and VST 3 on macOS, and AAX Native, VST 2.4 and VST 3 on Windows.

Learn more about ORANGE VOCODER IV.