Eventide H910 Dual Plug-in

“F@*ks with the Fabric of Time”

The H910 Harmonizer® was the world’s first digital effects processor. With its unique combinations of pitch shifting, modulation, and delay, the H910 can be heard on countless ground-breaking works by artists from AC/DC to David Bowie to Frank Zappa. Simply put, nothing sounds quite like it.

Two is Better than One

When you purchase the H910 Harmonizer® plug-in, you also receive Eventide’s exclusive H910 Dual Harmonizer®. This version recreates the popular technique of running two H910 units in parallel to create lush doubling and other interesting effects.

Features

• Keyboard and MIDI mapping — The original H910 featured a keyboard remote control which was used live by several artists including Elton John. With the H910 plug-in you can easily use MIDI to control pitch and harmonization in real-time.
• Envelope Follower — Engineers and producers discovered that sending a control voltage to the hardware H910 could be used to slightly (or massively) vary the pitch, creating entirely new sounds. The built-in envelope follower makes exploring these possibilities easy.
• OUT2 Delay Group adds inspiring attributes to your sound.
• True analog modeling of highly nonlinear electronics for faithful reproduction of the original H910’s juicyness and grit.
• Perform perfect pitch changes, controlled manually via MIDI or with Anti-Feedback.
• Anti-Feedback modulates the pitch around unity for a subtle or wild effect.
• Optional “glitching” of original H910 hardware to create unpredictable sounds as it alters pitch.
• Modify pitch by musical intervals (diatonic) to harmonize vocals or solo instruments.
• Delay rhythms and melodies to create everything from slap-back echoes to feedback chaos.
• Self-oscillation — create colorful, unique sound effects and drones.
• Individually control delay outputs and dry/wet mix.
• Mix Lock allows for scrolling through presets or settings while keeping the dry/wet mix constant.

BONUS: H910 Dual

• Recreates two H910 units running in parallel to create doubling effects and other unique sounds.
• Easily fattens and thickens instruments when assigning opposite pitch ratios.
• Stereo (cross-unit) Feedback can cause the incoming signal to shift up and then down continuously.