€39.00
NO REFUND FOR UPGRADE/CROSSGRADE
Analog Basics
Analog Basics Volume 2
Tableworks
Tableworks Volume 2
SynthMaster2 runs as a VST, AAX instrument on both Windows and Mac OSX, and also as an Audio Unit instrument on Mac OSX.
SynthMaster2 comes with 2000 factory presets from a world class team of sound designers:
Stereo Oscillators with Unison/Voice Stacking: Oscillators in SynthMaster have stereo output. Using the “voices”, “voices mix”, “detune curve”, “detune spread”, “pan stread”, “tone spread” and “phase spread” parameters, each basic/wavetable oscillator can generate a rich “supersaw” type sound.
Basic oscillators in SynthMaster are capable of synthesizing many different types of waveforms: Sine, Square, Triangle, Sawtooth, Pulse, Noise, single cycle waveforms and multisampled WAV/AIFFs defined in SFZ files. Each oscillator comes with 17 different algorithms in the following categories: Spectral (LP, HP, LS, HS, BP, BS), Bend (Bend+, Bend-, Bend+/-), Sync (Rect Window, Half Cos Window, Cos Window, Tri Window, Saw Window), Pulse (Pulse1, Pulse2) and Quantize.
A ‘Wavetable’ oscillator is similar to a basic oscillator, except that the waveform can be scanned (interpolated) through up to 256 different waveforms shapes. The position of the waveform can be adjusted using the ‘wave index’ parameter. Starting with version 2.9, SynthMaster now supports loading wavetables from wave files!
An ‘Additive’ oscillator is actualy 8 ‘basic’ oscillators running together. Each ‘basic’ oscillator has its own detune, tone, phase/pulse width/algorithm parameter, frequency, waveform type and algorithm parameters.
A ‘Vector’ oscillator consists of 4 ‘basic’ oscillators, mixed at different ratios. The mix ratios are determined by 2 orthogonal parameters in 2 dimensions: ‘X Index’ and ‘Y index’.
For each SynthMaster instance, there are 2 layers followed by 2 global effect send busses. The modulators can modulate frequency, phase, amplitude or pulse width of the oscillators or any other modulators at audio rate, or they can be used as regular oscillators. Each layer has its own:
SynthMaster has more hundreds of modulation targets and 48 modulation sources including ADSR Envelopes, 2D Envelopes, Multistage Envelopes, LFOs, KeyScalers, Easy Parameters, Vocoder Bands, MIDI Velocity, Aftertouch, Pitch Bend and MIDI CC. The modulation matrix, which has 64 available slots, has visual filtering as well so that targets for a specific source, or sources for a specific target can be filtered and shown on the user interface.
Zero Delay Feedback Filters: All of the 4 new filter categories in SynthMaster are developed using the zero delay feedback filter technology. With advanced filter parameters like input gain, drive and acid, you can get that “analog” sound from the filters!
The ‘VAnalog’ filters are modelled after the famous ladder filter, so they self oscillate when the filter resonance is maxed out. They have continuosly variable slope, which is unique to SynthMaster. They have 3 different CPU settings: “Basic”, “Normal” and “High”. The Basic setting sounds similar to the other algorithms in most cases and consumes at least 50% less CPU.
With the new ‘multimode’ filter type, it is possible to switch from Lowpass to Bandpass to Highpass filter types continuously. For analog multimode filters, it is also possible to change the slope of the filter continously from 0 db/oct to 24 db/oct.
With the new ‘dual’ filter type, two multimode filters can be run simultaneously, either in parallel, or in series. The mix ratios between the filters, and the topology (parallel/series) between them can be changed continuosly, as well as the modes and cutoff frequencies of the filters.
Comb filters are digital filters used in physical modeling synthesis.
Rich set of Effects: SynthMaster features 11 different effect types: Distortion, LoFi, Ensemble, Phaser, 6 Band EQ, Compressor, Vocoder, Delay, Chorus, Tremolo, Reverb.
Distortion, LoFi, Ensemble, Phaser, 6 Band EQ, Compressor, Vocoder, Delay, Chorus, Tremolo, Reverb.
Each of the 11 effect types can be inserted on any layer insert or on any of the 2 global effect bus inserts.
A distortion stage can be inserted before, after, or even inside the filters. For analog filters, the distortion is applied for each of the 4 filter stages in ‘inside’ mode.
Some other features of the SynthMaster v2.9 can be listed as follows.
The arpeggiator in SynthMaster features classic arpeggiator modes such as Up, Down, UpDown, DownUp, UpDown2, DownUp2, AsPlayed as well as Sequence, Chord and Arpeggiate modes. Each of the 32 steps of the arpeggiator has its own Velocity, Note Number, Note Length, Slide and Hold parameters.
SynthMaster features 8 easy knobs and 2 XY pads that can be freely assigned as modulation sources, so that the complexity of the synth engine could be hidden away and only most important parameters of a preset can be controlled by the user. The easy parameters can be globally linked to MIDI controllers, and they can be assigned automatically by SynthMaster as well.
SynthMaster supports Scala tuning, so tuning can be set either for each preset or globally by loading from a Scala tuning file.
SynthMaster features a comprehensive preset browser with separate search criterias for instrument type, preset attributes, music style or preset author.
Registered users can upload their presets to the online preset library, or browse and download presets created by other registered users; using the preset browser right inside the plug-in window.
SynthMaster comes with 3 different skins in different color variations. Using the included user interface editor, users can not only customize the existing skins but also can create their own custom interfaces as well.
Monophonic or even polyphonic (chord) MIDI patterns can be imported into the arpeggiators in SynthMaster by just drag and drop of the MIDI file onto the arpeggiator view on the plugin window.
Multisamples in WAV/AIFF formats could be imported into SynthMaster as SFZ definitions, by simply drag and drop of the WAV/AIFF files onto the oscillator waveform view on the plugin window.
